Books (Peer-reviewed)
As We See It: Interviews with 10 Native American Photographers. (Albuquerque, New Mexico: University of New Mexico Press, 2023).
Book Chapters (Peer Reviewed)
“Presentations and Representations: Images of Dances from the Southwest and West,” in Making History, Nancy Marie Mithlo, editor, (Albuquerque, New Mexico: University of New Mexico Press, 2019).
Book Chapters (Invited)
With Amber-Dawn Bear Robe, Kristen Dorsey, and Amy Scott, “Future Imaginaries: A Curatorial Conversation,” in Future Imaginaries: Indigenous Art, Fashion, Technology, (Seattle, Washington: University of Washington Press, 2024): 16-30.
“Eleanor Dickenson,” in Connecting Conversations: Interviews with 26 Bay Area Women Artists, Dr. Moira Roth, editor. (Oakland, California: Mills College Publications, 1987): 50-54.
Journal Editor (Peer Reviewed)
World Art Journal, Special Edition: Indigenous Futurisms. (August 2019).
Articles (Peer Reviewed)
“Living in a (Schrödinger’s) Box: Jimmie Durham’s Strategic Use of Ambiguity,” American Indian Culture and Research Journal 43:4 (2019): 55-64.
“Preface: Future History: Indigenous Futurisms in Native American Visual Arts,” World Art Journal, Special Edition: Indigenous Futurisms (August 2019).
“Introduction: The Rise of Indigenous Futurisms in Visual Arts,” World Art Journal, Special Edition: Indigenous Futurisms (August 2019).
“From ‘Indians Maybe’ To ‘Indians Forever’: Re-Examining Fritz Scholder at the Tamarind Institute,” Print Quarterly (August 2019).
Articles (Invited)
“Looking Back: Bob Haozous’ Cultural Crossroads of the Americas,” First Americans Art Magazine 41:4 (Winter 2024): 28–31
“Ira Lujan: Taos/Ohkay Owingeh Glass Artist,” First Americans Art Magazine 39:2 (Summer 2023): 82-87.
With American Meredith. “Santa Fe Indian Market Through the Decades,” First Americans Art Magazine 35:3 (Summer 2022): 52-63.
“Cochiti Mono Figures,” First Americans Art Magazine 31:2 (Summer 2021): 24-29
“Printmaking Demystified,” Legacy Magazine (August 2021): 46-53.
“Making Marks, Marking Time: Heidi Brandow and Luzene Hill, 2019 Ucross Native American Fellows,” exhibition catalog essays, 2019.
“Heidi Brandow” First Americans Art Magazine 25:4 (Winter 2019/20): 50-55.
“A Home Beyond: Indigenous Futurisms in the Visual Arts,” First American Arts Magazine 21:4 (Winter 2018/19): 20-21.
“Made on the Body: Contemporary Native American Accessories,” Native American Art Magazine (March 2018): 42-49.
“Luzene Hill,” First Americans Art Magazine 16:4 (Winter 2017/18): 62-67.
“Nora Naranjo Morse: Tewa Sculptor,” First Americans Art Magazine 14:2 (Summer 2017): 58-63.
“The Force Will Be with You … Always: Science Fiction Imagery in Native American Art,” First Americans Art Magazine 12:3 (Fall 2016): 34-39.
“Marwin Begaye: Navajo Printmaker,” 11:2 (Summer 2016): 46-51.
“Report on Acting O U T,” First Americans Art Magazine 10:2 (Spring 2016): 86-87.
“Report from Izhevsk: Migration,” First Americans Art Magazine 9:4 (Winter 2015): 85-86.
“Alex J. Peña: Comanche-Pawnee-San Ildefonso Printmaker,” First Americans Art Magazine 6:2 (Spring 2015): 62-67.
“Report from Yekaterinburg, “As We See It: Photography by Contemporary Native American Artists,” First Americans Art Magazine 5:4 (Winter 2014): 69-70.
“Matika Wilbur: Swinomish-Tulalip Photographer,” First Americans Art Magazine 3:2 (Summer 2014): 34-41.
“Nanibah ‘Nani’ Chacon: Diné-Xicana Painter,” First Americans Art Magazine 1:1 (Fall 2013): 16-21.
“‘We Are Still Here’: Pappan’s Ledger Drawings Part of British, Russian Exhibitions,” Kanza: The Newsletter of Kaw Nation 6:3 (Autumn 2012): 1, 4.
Catalogues (Invited)
“The (Present) Tense: Recent Works by Neal Ambrose Smith,” 516ARTS (Albuquerque, New Mexico, 2021).
“‘Live Long and Prosper’: Science Fiction in Contemporary Native Art” Catalog for Indigenous Futurisms: Transcending Past/Present/Future (Santa Fe, New Mexico: Museum of Contemporary Native American Art, 2020).
“Rendering Ties: Native American Photography in As We See It” Catalog for As We See It (Albuquerque, New Mexico: 516ARTS, 2016).
“In the Dark Night of the Sea…” Catalog for Octopus Dreams (Albuquerque, New Mexico: 516ARTS, 2013).
“A Short History of Native American Art on Paper,” Octopus Dreams: 200 Works on Paper by Native American Artists. (Yekaterinburg, Russia: Ekaterinburg Museum of Fine Art, 2012).
Book and Exhibition Reviews
“Review of Kite and Wihanble S’a Center, Dreaming with AI,” First Americans Art Magazine 48:3 (Fall 2025): 88-89.
“Review of Not Native Art: Fakes, Replicas, and Invented Traditions by Janet Catherine Berlo,” Native American & Indigenous Studies Journal 12.1 (Winter 2025).
“Review of Indelible Ink: Native Women, Printmaking, Collaboration at the University of New Mexico Art Museum from February 7 to May 9, 2020 First Americans Art Magazine 26:2 (Spring 2020): 80-81.
“Review of Feminisms at 516ARTS,” September 26, 2020, to January 2, 2021, First Americans Art Magazine 29:4 (Winter 2020): 86-87.
“Review of From Skyworld to Cyberspace: Skawennati, exhibition catalog,” First Americans Art Magazine 28:3 (Fall 2020): 78-79.
“Review of Courtney Leonard’s Intermodal: Breach Logbook 14 at the Pomona College Museum of Art,” First Americans Art Magazine 23:2 (Summer 2019): 83-84.
“Review of Beyond Standing Rock at the Museum of Indian Arts and Culture,” First Americans Art Magazine 24:3 (Fall 2019): 74-75
“Editorial: The Perils of Exhibiting Contemporary Native American Art with Edward Curtis,” First Americans Art Magazine 18:3 (Fall 2018): 96-97.
“Opinion: Nuances of Censorship: The National Coalition Against Censorship Panel ‘Who Can Speak for Whom? Artistic Freedom and the Challenges of Dealing with Historical Trauma’ at the College Art Association’s Annual Conference, 2018, Los Angeles, California,” First Americans Art Magazine 17:2 (Spring 2018): 86-87.
“Review of Defending Truth and Memory: The Path Towards Justice in Guatemala, First Americans Art Magazine 19:2 (Summer 2018): 73-74.
“Review of Wendy Red Star: We’re Not the Best But We’re Better than the Rest,” First Americans Art Magazine 19:2 (Summer 2018): 75-76.
“Review of Plunder Me Baby: Paintings and Sculptures by Kukuli Velarde,” 15:2 (Summer 2017): 76-77.
“Review of Oklahoma Cherokee Baskets by Karen Coody Cooper),” First American Art Magazine 13:4 (Winter 2016): 90-91.
“Review of Patrick Dean Hubbell Earth: Untitled at Peters Projects,” First Americans Art Magazine 13:4 (Winter 2016): 82-83.
“Review of Where the Thunderbird Lives,” First Americans Art Magazine 15 (Fall 2016): 74-75.
“Report from Izhevsk, Udmurtia, Russia, Migration, Municipal Art Gallery,” First Americans Art Magazine 9:4 (Winter 2015): 8586.
“Review of Conversations: Eiteljorg Contemporary Art Fellowship, 2015,” First Americans Art Magazine 10:1 (Spring 2015): 81.
“Review of War Department: Selections from MOCNA’s Permanent Collection,” First Americans Art Magazine 8:3 (Fall 2015): 89-90.
“Review of Perspectives and Parallels: Expanding Interpretive Foundations with American Indian Curators and Writers,” First Americans Art Magazine 7:2 (Summer 2015): 79-80.
“Show Reports: As We See It: Photography by Contemporary Native American Artists, Ekaterinburg Museum of Fine Arts, Yekaterinburg, Russia,” First Americans Art Magazine 5:4 (Winter 2014): 69-70
“Review of Gashka'oode (Tangled),” First Americans Art Magazine 4:3 (Fall 2014): 85-86
“Review of Melanie Yazzie: Geographies of Memory,” First Americans Art Magazine 3:2 (Summer 2014): 64-65.
“Review of Hemisphere: Visual Cultures of the Americas, volume VI, India Young, Editor, University of New Mexico, 2013,” First Americans Art Magazine 2:1 (Spring 2014): 71.
“Review of Kenneth Milton Chapman: A Life Dedicated to Indian Arts and Artists by Janet Chapman and Karen Barrie,” in American Indian Culture and Research Journal 34:2 (Fall, 2010): 187-190.
“Review of Kenneth Chapman’s Santa Fe: Artists and Archaeologist, 1907-1931 by Marit Munson,” in New Mexico Historical Review 85:4 (Fall 2010): 457-458.
“Review of Under the Palace Portal: Native American Artists in Santa Fe by Karl A. Hoerig,” in American Indian Culture and Research Journal 28:2 (Fall 2004): 186-188.
“Review of the Primal Spirit: Ten Contemporary Japanese Sculptors,” Chicago Art Journal 1:1 (Spring, 1991): 41-42.